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Correlated with Susan Sontag's theorization of kitsch as well as employing the queer lingo of "camp," this film's relentless equal opportunity pop-art montage shattered the foundations of conventional cinema, making it a true document of the Shinjuku underground scene. Director Okabe himself appears recreating his favorite roles from Bonnie and Clyde to Spaghetti Westerns, as well as incorporating quotations by inserting stills of Godard, Kennedy’s assassination and the Vietnam War.
Dị: Comedy
Nkedo: Akaji Maro, Shigeomi Satō, Michio Okabe, Yasunao Tone, Rikurô Miyai, Mami Aoyama
Ndị ọrụ: Hideo Kitagawa (Camera Operator), Michio Okabe (Editor), Katsuhiko Kamata (Camera Operator), Michio Okabe (Writer), Michio Okabe (Producer), Toshiaki Kawao (Camera Operator)
.Lọ nka: Art Theatre Guild
Oge ojiri gaa: 97 Nkeji
Ogo: HD
Hapụ: Sep 22, 1968
Mba: Japan
Asụsụ: 日本語
