Night mode
Mu Account rẹ ọfẹ ṣiṣẹ!

Fiimu ati ile-ikawe fidio wa le jẹ ṣiṣan tabi gbaa lati ayelujara nipasẹ awọn ọmọ ẹgbẹ nikan

Tẹsiwaju lati wo fun ỌFẸ FREE

Yoo gba to lẹhinna iṣẹju 1 lati Iforukọsilẹ lẹhinna o le gbadun Awọn fiimu Kolopin & Awọn akọle TV.

00:00:00 / 01:11:00

Mučedníci lásky 1967 Wiwọle Kolopin ọfẹ

Mučedníci lásky 1967 Wiwọle Kolopin ọfẹ

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Koko-ọrọ :
San ẹgbẹẹgbẹrun awọn fiimu ati awọn ifihan TV laaye.