Ko ta maatau whare pikitia me to wharepukapuka whakaataata ka taea noa te rere, te tango mai ranei ma nga mema anake
Me matakitaki tonu mo te FREE ➞He iti ake te waa 1 meneti ki te Haina Mai ka pai ai ki a koe te koa ki nga Kiriata Mutunga & Taitara TV.
Homeo 1967 Whakauru Koreutu Koreutu
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
Momo: Documentary
Maka: Michèle Giraud, Yves Beneyton, Pierre Clémenti, Margareth Clémenti, Francis Conrad, Barbara Girard
Kaimahi: Étienne O'Leary (Director), Étienne O'Leary (Cinematography), Étienne O'Leary (Producer), Pierre Clémenti (Cinematography), Étienne O'Leary (Music), Billy Copley (Cinematography)
Studio:
Rima: 40 meneti
Kounga: HD
Tuku: Nov 15, 1967
Whenua: United Kingdom, France, Switzerland
Reo: No Language