Laeborari ea rona ea libaesekopo le livideo e ka tsamaisoa kapa ea jarolloa ke litho feela
Tsoela pele ho shebella MAHALA ➞Ho nka tlase ho motsotso o le 1 ho saena ebe o ka natefeloa ke lifilimi le lihlooho tsa TV tse se nang moeli.
Le charme de l'ambiguïté 1974 Phihlelo ea mahala ea mahala
From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.
Mofuta: Documentary
Sebapali: Jean-Marie Rivière, Marcel Drouet, Léon Grieg, La Grande Eugène, La Grande Zoa, Pierre Spivakoff
Basebetsi: Manu Bonmariage (Cinematography), Roger Defays (Sound Mixer), Monique Licht (Production Manager), Léon Grieg (Thanks), Marcel Drouet (Thanks), Richard Olivier (Screenplay)
Studio: Olivier Films
Nako ea nako: 58 metsotso
Boleng: HD
Lokolla: Jan 01, 1974
Naha: Belgium
Puo: Français
