Laeborari ea rona ea libaesekopo le livideo e ka tsamaisoa kapa ea jarolloa ke litho feela
Tsoela pele ho shebella MAHALA ➞Ho nka tlase ho motsotso o le 1 ho saena ebe o ka natefeloa ke lifilimi le lihlooho tsa TV tse se nang moeli.
El rostro de la medusa 2022 Phihlelo ea mahala ea mahala
It is no coincidence that the second feature by Argentinian Melisa Liebenthal begins with a quote from “Duino Elegies” by Rilke, who was concerned with existential angst. And, more prosaically, Marina, the film’s young protagonist, is faced with similar anxiety. In fact, her problem is her face. One morning, she discovers her face has changed, and she can no longer recognise herself. Not even her mother can, who bumps into her on the street and says hello to her like she would to any stranger (deadpan, surreal humor is part of the film’s recipe). Marina is thus forced to confront her identity: who is she? Is she determined by her parent’s DNA or by her ID card? Can she be identified by a family portrait, by biometrics or the love of those around her, including her Colombian boyfriend? Is she prettier now?
Sebapali: Rocío Stellado, Vladimir Durán, Federico Sack, Irene Bosch, Alicia Labraga, Roberto Liebenthal
Basebetsi: Melisa Liebenthal (Director), Florencia Gómez García (Editor), Inés Copertino (Music), Agustín Godoy (Writer), Lucas Koziarski (Art Direction), Melisa Liebenthal (Writer)
Studio: Gentil, Zona Audiovisual
Nako ea nako: 76 metsotso
Boleng: HD
Lokolla: Nov 05, 2022
Naha: Argentina
Puo: Español
