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Sebelisa Ak'haonte ea hau ea MAHALA!

Laeborari ea rona ea libaesekopo le livideo e ka tsamaisoa kapa ea jarolloa ke litho feela

Tsoela pele ho shebella MAHALA ➞

Ho nka tlase ho motsotso o le 1 ho saena ebe o ka natefeloa ke lifilimi le lihlooho tsa TV tse se nang moeli.

00:00:00 / 01:3:00

Matar extraños 2013 Phihlelo ea mahala ea mahala

Matar extraños 2013 Phihlelo ea mahala ea mahala

A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.

Nako ea nako: 63 metsotso

Boleng: HD

Lokolla: Feb 23, 2013

Naha: Mexico, Denmark

Puo: Español

Lentsoe la sehlooho :
Phallela lifilimi le mananeo a seea-le-moea mahala.