Laeborari ea rona ea libaesekopo le livideo e ka tsamaisoa kapa ea jarolloa ke litho feela
Tsoela pele ho shebella MAHALA ➞Ho nka tlase ho motsotso o le 1 ho saena ebe o ka natefeloa ke lifilimi le lihlooho tsa TV tse se nang moeli.
Homeo 1967 Phihlelo ea mahala ea mahala
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
Mofuta: Documentary
Sebapali: Michèle Giraud, Yves Beneyton, Pierre Clémenti, Margareth Clémenti, Francis Conrad, Barbara Girard
Basebetsi: Étienne O'Leary (Director), Étienne O'Leary (Producer), Étienne O'Leary (Music), Pierre Clémenti (Cinematography), Billy Copley (Cinematography), Michèle Giraud (Cinematography)
Studio:
Nako ea nako: 40 metsotso
Boleng: HD
Lokolla: Nov 15, 1967
Naha: United Kingdom, France, Switzerland
Puo: No Language
