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Sebelisa Ak'haonte ea hau ea MAHALA!

Laeborari ea rona ea libaesekopo le livideo e ka tsamaisoa kapa ea jarolloa ke litho feela

Tsoela pele ho shebella MAHALA ➞

Ho nka tlase ho motsotso o le 1 ho saena ebe o ka natefeloa ke lifilimi le lihlooho tsa TV tse se nang moeli.

00:00:00 / 01:23:00

Standard 1990 Phihlelo ea mahala ea mahala

Standard 1990 Phihlelo ea mahala ea mahala

Does someone remember that project of López Rega’s which, in 1975, thought up the construction of a Great Homeland Altar where all mythical figures of Argentine history could be in the same building? From San Martín to Perón on his pinto horse. From the Billiken stamps of our childhood to Libertad Leblanc’s tits of our teenage years. All clichés of Argentine-ness gathered under one roof. But the construction delays. Workers entertain themselves with their own masturbatory drives. Or is it that Argentina is an impossibie construction? Always about to begin. always displaying great projects, great plans that never come to fruition. A second-rate country that hides its fundamental vacuity behind monuments. in Acha’s cinema, second-rateness is exposed, shown in all its lying pomposity.

Phallela lifilimi le mananeo a seea-le-moea mahala.
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