Laeborari ea rona ea libaesekopo le livideo e ka tsamaisoa kapa ea jarolloa ke litho feela
Tsoela pele ho shebella MAHALA ➞Ho nka tlase ho motsotso o le 1 ho saena ebe o ka natefeloa ke lifilimi le lihlooho tsa TV tse se nang moeli.
![](https://image.tmdb.org/t/p/w780/jAxoSmePGpThootu2RX1YgAccbd.jpg)
An Evening with the Alvin Ailey American Dance Theater 1986 Phihlelo ea mahala ea mahala
![An Evening with the Alvin Ailey American Dance Theater 1986 Phihlelo ea mahala ea mahala](https://image.tmdb.org/t/p/w185/iINalNyPhvY9fWpocWDZvOuF7l3.jpg)
Dazzling, brash and dynamic, yet equally graceful and poetic. DIVINING was Judith Jamison's first major work as a choreographer for Ailey, evoking a strong feeling for African tribal ritual, is set to hauntingly rhythmic drum music. REVELATIONS, often describes as the company's signature tune, has become an American classic. It expresses Ailey's intense feelings for his roots, with Ailey's vivid "blood memories" of the blues, spirituals, gospel music, ragtime and folk songs as well as the hard life of the Southern black during the Depression. Set to Modern Jazz, THE STUCK-UP takes place in modern-day Harlem, about the cruel reality of urban street life as a young man is destroyed by drugs. CRY, choreographed by Alvin Ailey in 1971 for Judith Jamison, is one of his most famous pieces. Created as a birthday present for his mother, it is Ailey's tribute to black women and inspires moving emotions with its portrayal of struggle, anger and most importantly, its feeling of celebration.
Mofuta: Music
Sebapali: Alvin Ailey, Judith Jamison
Basebetsi: Alvin Ailey (Art Direction), Alvin Ailey (Choreographer), Mary Barnett (Art Direction), Thomas Grimm (Director), Thomas Grimm (Producer), Tally Beatty (Choreographer)
Nako ea nako: 108 metsotso
Boleng: HD
Lokolla: May 01, 1986
Naha: East Germany
Puo: English