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Kamera Obskura 2012 Wiwọle Kolopin ọfẹ
The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.
Oriṣi: Drama
Simẹnti: Pen Medina, Ping Medina, Lou Veloso, Joel Torre
Atuko: Cesar Hernando (Production Design), Raymond Red (Cinematography), Pablo Biglang-awa (Visual Effects), Edrie Myrick Ocampo (Visual Effects), Diwa de Leon (Music), Danny Red (Production Design)
Situdio: Filmex, Pelipula Productions, Cultural Center of the Philippines, Cinemalaya Foundation
Asiko isise: 1:47:31 iṣẹju
Didara: HD
Tu silẹ: Jul 26, 2012
Orilẹ-ede: Philippines
Ede: