Fiimu ati ile-ikawe fidio wa le jẹ ṣiṣan tabi gbaa lati ayelujara nipasẹ awọn ọmọ ẹgbẹ nikan
Tẹsiwaju lati wo fun ỌFẸ FREEYoo gba to lẹhinna iṣẹju 1 lati Iforukọsilẹ lẹhinna o le gbadun Awọn fiimu Kolopin & Awọn akọle TV.
Scape-Mates 1972 Wiwọle Kolopin ọfẹ
In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.
Oriṣi: Documentary
Simẹnti: Stoney Emshwiller, Emery Hermans, Sarah Shelton
Atuko: Ed Emshwiller (Director), John Godfrey (Editor), Ed Emshwiller (Writer)
Situdio: The TV Lab at WNET/13
Asiko isise: 29 iṣẹju
Didara: HD
Tu silẹ: Jul 27, 1972
Orilẹ-ede: United States of America
Ede: English
